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Directors
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David Lynch

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  363 David Lynch
   6 Laura Dern
   2 Isabella Rossellini
   2 Haruki Murakami
   2 David Foster Wallace

*** WISDOM TROVE ***

1:I love pop culture - the Rolling Stones, the Doors, David Lynch, things like that. That's why I said I don't like elitism. ~ haruki-murakami, @wisdomtrove

*** NEWFULLDB 2.4M ***

1:The world is as you are. ~ David Lynch,
2:I like things to be orderly. ~ David Lynch,
3:Achievement is its own reward ~ David Lynch,
4:I'm a big David Lynch fan. ~ Jonathan Davis,
5:The ideas dictate everything. ~ David Lynch,
6:Float with me in the world of ether. ~ David Lynch,
7:Absurdity is what I like most in life. ~ David Lynch,
8:I just like going into strange worlds. ~ David Lynch,
9:Negativity is the enemy of creativity. ~ David Lynch,
10:Sometimes film kills the room to dream. ~ David Lynch,
11:It's crazy to close doors to any genres. ~ David Lynch,
12:New mysteries. New day. Fresh doughnuts. ~ David Lynch,
13:I love seeing people come out of darkness. ~ David Lynch,
14:I'd like to work with David Lynch again. ~ Melissa George,
15:In a Town like Twin Peaks noone is innocent ~ David Lynch,
16:The more you meditate the better life gets. ~ David Lynch,
17:When the going gets tough, everyone leaves. ~ David Lynch,
18:Cinema is a medium that can translate ideas. ~ David Lynch,
19:Individual peace is the unit of world peace. ~ David Lynch,
20:Mystery is the number one conjurer of ideas. ~ David Lynch,
21:you keep your eye on the donut not the hole. ~ David Lynch,
22:It's a strange world, as David Lynch would say ~ Laura Dern,
23:My cow is not pretty, but it is pretty to me. ~ David Lynch,
24:Keep your eye on the doughnut, not on the hole. ~ David Lynch,
25:Tenderness can be just as abstract as insanity. ~ David Lynch,
26:The house is a place where things can go wrong. ~ David Lynch,
27:Even bad coffee is better than no coffee at all. ~ David Lynch,
28:I hear heroin is a very popular drug these days. ~ David Lynch,
29:This whole world is wild at heart and weird on top. ~ David Lynch,
30:I'm a massive fan of David Lynch and 'Twin Peaks.' ~ Amanda Palmer,
31:Being in darkness and confusion is interesting to me. ~ David Lynch,
32:Every teacher of Transcendental Meditation is a hero. ~ David Lynch,
33:The artist does not have to suffer to show suffering. ~ David Lynch,
34:We only dream of images we already have inside of us. ~ David Lynch,
35:I don't like Thomas Edison. I'm a fan of Nicolai Tesla. ~ David Lynch,
36:I'm responsible for what people see and what they hear. ~ David Lynch,
37:The concept of absurdity is something I'm attracted to. ~ David Lynch,
38:There's always fear of the unknown where there's mystery ~ David Lynch,
39:If a scene isn't honest, it stands out like a sore thumb. ~ David Lynch,
40:There is an ocean of creativity within every human being. ~ David Lynch,
41:There's always fear of the unknown where there's mystery. ~ David Lynch,
42:I love super crispy, almost burned, snapping-crispy bacon. ~ David Lynch,
43:The more unknowable the mystery, the more beautiful it is. ~ David Lynch,
44:The thing about meditation is: you become more and more you. ~ David Lynch,
45:True happiness is not out there. True happiness lies within. ~ David Lynch,
46:You can understand conflict, but you don'thave to live in it. ~ David Lynch,
47:I'm not a musician, but I play music. So it's a strange thing. ~ David Lynch,
48:(about cinema) It's like opening a door and go into a new world. ~ David Lynch,
49:I always say that intuition is the number one tool for an artist. ~ David Lynch,
50:Surface cures are not going to get rid of the torment that's inside. ~ David Lynch,
51:To me, jazz is the closest thing to insanity that there is in music. ~ David Lynch,
52:I know club music has to be infectious and it's got to make you move. ~ David Lynch,
53:There is an ocean of pure vibrant consciousness inside each one of us. ~ David Lynch,
54:Everybody's got creativity. You just get more of it [when you meditate]. ~ David Lynch,
55:I'd love to work with David Lynch. I'm such a big fan. He's a genius. ~ Olga Kurylenko,
56:I love child things because there's so much mystery when you're a child. ~ David Lynch,
57:I love David Lynch's 'Mulholland Drive;' such a wonderful movie. ~ Christian Louboutin,
58:Francis Bacon is one of my giant inspirations. I just love him to pieces. ~ David Lynch,
59:My rule of thumb is, what Siskel and Ebert like, I don't, and vice versa. ~ David Lynch,
60:The ideas dictate everything, you have to be true to that or you're dead. ~ David Lynch,
61:I would rather not make a film than make one where I don't have final cut. ~ David Lynch,
62:Life is very, very complicated, and so films should be allowed to be, too. ~ David Lynch,
63:What do you fear, most of all? The possibility that love may not be enough. ~ David Lynch,
64:Everybody's got creativity. Dive within to the ocean of infinite creativity. ~ David Lynch,
65:Two half hitches around the horn will hold the devil as sure as you're born. ~ David Lynch,
66:Intuition is seeing the solution.....its emotion and intellect going together. ~ David Lynch,
67:When you have something that brings a real emotion, that's the power of cinema. ~ David Lynch,
68:The rest of the night was an endless dream sequence directed by David Lynch ~ Karen Joy Fowler,
69:Everything I learned in my life, I learned because I decided to try something new. ~ David Lynch,
70:Intuition is the key to everything, in painting, filmmaking, business - everything. ~ David Lynch,
71:I've said many, many, many unkind things about Philadelphia, and I meant every one. ~ David Lynch,
72:Many things happen that we don't know the significance of until a little bit later. ~ David Lynch,
73:Eraserhead is my most spiritual movie. No one understands when I say that, but it is. ~ David Lynch,
74:The day you catch an idea you fall in love with, even a small one, is a beautiful day. ~ David Lynch,
75:I have the same answer all the time: My doctor told me not to think about these things. ~ David Lynch,
76:I really wanted to work with David Lynch. I was a big fan of The Elephant Man and Eraserhead. ~ Sting,
77:As soon as someone like me or David Lynch pops up everyone says hallelujah, how weird. ~ Robyn Hitchcock,
78:I like cappuccino, actually. But even a bad cup of coffee is better than no coffee at all. ~ David Lynch,
79:Be true to yourself. Don't take no for an answer. And start your Transcendental Meditation. ~ David Lynch,
80:Films are 50 percent visual and 50 percent sound. Sometimes sound even overplays the visual. ~ David Lynch,
81:I wanted to go to Jupiter. That was my plan from day one, and David Lynch gave me the ticket. ~ Laura Dern,
82:What you’re reading here is basically a person having a conversation with his own biography. ~ David Lynch,
83:I believe in creative control. No matter what anyone makes, they should have control over it. ~ David Lynch,
84:Madison is a very enlightened, idealized Midwestern place, and the people there are friendly. ~ David Lynch,
85:Mankind was not meant to suffer -- bliss is our nature. The individual is cosmic. Let's rock. ~ David Lynch,
86:The only thing that disturbs me is that many psychopaths say they had a very happy childhood. ~ David Lynch,
87:When you practice Transcendental Meditation you are given a key to the deepest level of life. ~ David Lynch,
88:Every time I hear sounds, I see pictures. Then, I start getting ideas. It just drives me crazy ~ David Lynch,
89:I don't think anybody really loves the sound of their own voice, but the tweakability is huge. ~ David Lynch,
90:I've always loved the electric guitar: to hold it and work it and hear what it does is unreal. ~ David Lynch,
91:I grew up interested in the underside of Hollywood, which I think David Lynch does really well. ~ Mary Harron,
92:Film can't just be a long line of bliss. There's something we all like about the human struggle. ~ David Lynch,
93:It's so freeing, it's beautiful in a way, to have a great failure, there's nowhere to go but up. ~ David Lynch,
94:Chrysta Bell looks like a dream and Chrysta Bell sings like a dream. And the dream is coming true. ~ David Lynch,
95:I always loved smokestack industry, and I love towns or cities that have grown up around factories. ~ David Lynch,
96:If you want to get one hour of good painting in, you have to have four hours of uninterrupted time. ~ David Lynch,
97:I like making films because I like to go into another world. I like to get lost into another world. ~ David Lynch,
98:I like to remember things my own way. How I remembered them, not necessarily the way they happened. ~ David Lynch,
99:Esta relación acabó en el peor viaje a Los Ángeles jamás visto fuera de una película de David Lynch. ~ Lena Dunham,
100:I don't know why people expect art to make sense. They accept the fact that life doesn't make sense. ~ David Lynch,
101:Every viewer is going to get a different thing. That's the thing about painting, photography, cinema. ~ David Lynch,
102:If we didn't want to upset anyone, we would make films about sewing, but even that could be dangerous. ~ David Lynch,
103:Dark things have always existed but they used to be in a proper balance with good when life was slower. ~ David Lynch,
104:Transcendental meditation is like a car, a vehicle that allows you to go within. It's a mental technique. ~ David Lynch,
105:We're like lightbulbs. If bliss starts growing inside you, it's like a light; it affects the environment. ~ David Lynch,
106:I love the quality, feel and history of film. I love the pictures of the giant cameras and the way it was. ~ David Lynch,
107:I'm in full support of that technique [meditation] , and what David Lynch is doing. It's very important. ~ James Redford,
108:That state of simplest form of awareness alone, is worthy of seeing, hearing, contemplating and realizing. ~ David Lynch,
109:Life is filled with abstractions, and the only way to make heads or tails of it is going through intuition. ~ David Lynch,
110:But my mother loved The Elephant Man, and my father gave David Lynch a scholarship to study in Rome. ~ Isabella Rossellini,
111:Most of Hollywood is about making money - and I love money, but I don't make the films thinking about money. ~ David Lynch,
112:Some things we forget. But many things we remember on the mental screen, which is the biggest screen of all. ~ David Lynch,
113:The greatest thing my father left me was a love for cutting wood - my love for sawing, especially pine wood. ~ David Lynch,
114:Don't make a film if it can't be the film you want to make. It's a joke, and a sick joke, and it'll kill you. ~ David Lynch,
115:I discovered that if one looks a little closer at this beautiful world, there are always red ants underneath. ~ David Lynch,
116:I'm not really into vinyl. There's something about that raw, birth of rock and roll feel that makes me crazy. ~ David Lynch,
117:I supported myself by delivering the 'Wall Street Journal' and doing odd jobs. I love plumbing and carpentry. ~ David Lynch,
118:Making a film is a beautiful mystery. You go deep into the wood, and you don't want to come out of that wood. ~ David Lynch,
119:Sex is a doorway to something so powerful and mystical, but movies usually depict it in a completely flat way. ~ David Lynch,
120:I like "Talk to Her" by [Pedro] Almodovar and "Happiness" by Todd Solondz, "Mullholland Drive" by David Lynch . ~ Meital Dohan,
121:Sometimes I get an idea for cinema. And when you get an idea that you fall in love with, this is a glorious day. ~ David Lynch,
122:There are only 24 hours in a day, and my top priority is working on my films, but I love short film experiments. ~ David Lynch,
123:Most of filmmaking is common sense. If you stay on your toes and think about how to do a thing, it’s right there. ~ David Lynch,
124:Speaking in front of a large crowd is not pleasant. Once it gets rolling, it's okay. But beforehand, it's murder. ~ David Lynch,
125:I've loved music always, and my music fire was lit by Elvis Presley, really, and all that was happening back then. ~ David Lynch,
126:I have no problem getting financing. I have a problem catching ideas that I fall in love with for the next feature. ~ David Lynch,
127:It's important to listen to lots of different genres because you never know when something will get born out of it. ~ David Lynch,
128:Music has fed me a lot of ideas... The film BLUE VELVET came out of Bobby Vinton's version of the song BLUE VELVET. ~ David Lynch,
129:Stories hold conflict and contrast, highs and lows, life and death, and the human struggle and all kinds of things. ~ David Lynch,
130:I just have to think of Philadelphia now, and I get ideas, I hear the wind, and I'm off into the darkness somewhere. ~ David Lynch,
131:David Lynch is my friend, and I love his movies and his art and his music. Few things make me happier than working with him. ~ Moby,
132:Through the darkness of future past, the magician longs to see, one chance out between two worlds, fire walk with me! ~ David Lynch,
133:I didn't really grow up listening to blues, because I grew up in the Northwest. It wasn't really the center for blues. ~ David Lynch,
134:I don’t think that people accept the fact that life doesn’t make sense. I think it makes people terribly uncomfortable. ~ David Lynch,
135:We think we understand the rules when we become adults but what we really experience is a narrowing of the imagination. ~ David Lynch,
136:A film - especially when it's a personal film - is going to hit somebody or it's not. There's nothing you can do about it. ~ David Lynch,
137:Everyone's got consciousness.. . Grow that ball of consciousness and all avenues of life improve. Your work just blossoms. ~ David Lynch,
138:I don't think it was pain that made [Vincent Van Gogh] great - I think his painting brought him whatever happiness he had. ~ David Lynch,
139:Quentin Tarantino is interested in watching somebody's ear getting cut off; David Lynch is interested in the ear. ~ David Foster Wallace,
140:The place looks like where David Lynch would meet Beaver Cleaver's mom for secret afternoons of bondage and milkshakes. ~ Richard Kadrey,
141:A lot of artists think they want anger. But a real, strong, bitter anger occupies the mind, leaving no room for creativity. ~ David Lynch,
142:Building a set is like building a place, but it's a temporary place, because sets usually get torn down. Kind of unfortunate. ~ David Lynch,
143:I like to feel like you can bite my paintings. Not to eat them, to hurt them. I like to feel like I'm painting with my teeth. ~ David Lynch,
144:Let's get rid of the suffering and bring real peace, which is not just the absence of war, but the absence of all negativity. ~ David Lynch,
145:I truly believe there is a field of peace within and that it can be enlivened and brought to the surface to be enjoyed by all. ~ David Lynch,
146:Digital video is so beautiful. It's lightweight, modern, and it's only getting better. It's put film into the La Brea Tar Pits. ~ David Lynch,
147:I love pop culture -- the Rolling Stones, the Doors, David Lynch, things like that. That's why I said I don't like elitism. ~ Haruki Murakami,
148:The cinema is really built for the big screen and big sound, so that a person can go into another world and have an experience. ~ David Lynch,
149:I have to make what I see, whether it's a painting, a table, or a movie, or it's like a death and what would be the point of that? ~ David Lynch,
150:A filmmaker doesn't have to suffer to show suffering. You just have to understand it. You don't have to die to shoot a death scene. ~ David Lynch,
151:Being in darkness and confusion is interesting to me. But behind it you can rise out of that and see things the way the really are. ~ David Lynch,
152:I love pop culture -- the Rolling Stones, the Doors, David Lynch, things like that.
That's why I said I don't like elitism. ~ Haruki Murakami,
153:The great coming to age of cable is really a beautiful thing. No commercials. It's like a small theater. It's a cinema on a TV screen. ~ David Lynch,
154:I find the joy of the 'doing' increases. Creativity increases. Intuition increases. The pleasure of life grows. And negativity recedes. ~ David Lynch,
155:The side effect of expanding consciousness is that negativity starts to evaporate; it goes away like darkness when you turn on a light. ~ David Lynch,
156:I was raised Presbyterian, but I'm not really going to church. I think the experience in meditation is pretty much where it's at for me. ~ David Lynch,
157:I just love musicians. They're not all super-happy all the time, but when they're playing they're happy, and it's such a beautiful thing. ~ David Lynch,
158:When you work with David Lynch, you never know where he's going next and that's exciting. He's like a magician pulling out new tricks. ~ Richard Beymer,
159:You don't need a special place to meditate. You can transcend anywhere in the world. The unified field is here, and there, and everywhere. ~ David Lynch,
160:Mastering fear doesn't mean getting rid of the butterflies in your stomach. It means teaching them to fly in formation. (Thanks, David Lynch!) ~ Anonymous,
161:It's better not to know so much about what things mean or how they might be interpreted or you'll be too afraid to let things keep happening. ~ David Lynch,
162:It’s better not to know so much about what things mean or how they might be interpreted or you’ll be too afraid to let things keep happening. ~ David Lynch,
163:You're right on the money with that. We're all like detectives in life. There's something at the end of the trail that we're all looking for. ~ David Lynch,
164:As someone who has been asked to ask David Lynch what his movies mean for 25 years, I'm very careful about asking artists what their art means. ~ Laura Dern,
165:Humor is very interesting to me. My films are not comedies, but there's comedy in them from time to time, absurdities, just like in real life. ~ David Lynch,
166:I love going into another world, and I love mysteries. So I don't really like to know very much ahead of time. I like the feeling of dicovery. ~ David Lynch,
167:Black has depth.. you can go into it.. And you start seeing what you're afraid of. You start seeing what you love, and it becomes like a dream. ~ David Lynch,
168:If you keep your eye on the doughnut and do your work, that's all you can control. You can't control any of what's out there, outside yourself. ~ David Lynch,
169:As a teenager, I was really trying to have fun 24 hours a day. I didn't start thinking until I was 20 or 21. I was doing regular goof-ball stuff. ~ David Lynch,
170:The big treasury is an ocean of infinite creativity. It's a creativity that creates everything that is a thing - it's mighty powerful creativity. ~ David Lynch,
171:To make the script, you need ideas, and for me a lot of times, a final script is made up of many fragments of ideas that came at different times. ~ David Lynch,
172:Cigarettes are pretty much my worst vice, and I even stopped smoking for 20 years. I spend most of my free time with my family and working on art. ~ David Lynch,
173:More and more people are seeing the films on computers - lousy sound, lousy picture - and they think they've seen the film, but they really haven't. ~ David Lynch,
174:I let the actors work out their ideas before shooting, then tell them what attitudes I want. If a scene isn't honest, it stands out like a sore thumb. ~ David Lynch,
175:When you sleep, you don`t control your dream. I like to dive into a dream world that I've made, a world I chose and that I have complete control over. ~ David Lynch,
176:An artist makes a painting, and nobody bugs him or her about it. It's just you and your painting. To me, that's the way it should be with film as well. ~ David Lynch,
177:I love industry. Pipes. I love fluid and smoke. I love man-made things. I like to see people hard at work, and I like to see sludge and man-made waste. ~ David Lynch,
178:I think true love is not only true personal love but totality of love, universal love - to be in love with everything manifest and everything unmanifest. ~ David Lynch,
179:Television provides the opportunity for an ongoing story - the opportunity to meld the cast and the characters and a world, and to spend more time there. ~ David Lynch,
180:I look at the world and I see absurdity all around me. People do strange things constantly, to the point that, for the most part, we manage not to see it. ~ David Lynch,
181:...it's a truth of life that some things are not built so well and they become complicated and they need to be figured out and they're hard to figure out. ~ David Lynch,
182:I like darkness and confusion and absurdity, but I like to know that there could be a little door that you could go out into a safe life area of happiness. ~ David Lynch,
183:I love Bob Dylan. Who doesn't? He tapped into some kind of vein and it keeps on keeping on. There's nobody like him. He's unique, and just... way out cool. ~ David Lynch,
184:Stay true to yourself. Let your voice ring out, and don’t let anybody fiddle with it. Never turn down a good idea, but never take a bad idea. And meditate. ~ David Lynch,
185:Cinema is a medium that can translate ideas. But wood can translate ideas, too. You have wood and then you get a chair. Some ideas are for different things. ~ David Lynch,
186:Film noir has a mood that everyone can feel. It’s people in trouble, at night, with a little bit of wind and the right kind of music. It’s a beautiful thing. ~ David Lynch,
187:With each experience of the unbounded ocean of consciousness, you infuse it into your life and therefore expand whatever consciousness you had to begin with. ~ David Lynch,
188:The mantra that you're given in Transcendental Meditation you keep to yourself. The reason being, true happiness is not out there, true happiness lies within. ~ David Lynch,
189:It doesn't do any good to say, 'This is what it means.' When you are spoon fed a film, people instantly know what it is. I like films that leave room to dream. ~ David Lynch,
190:People think in Hollywood there's a family, where everybody gets together talks about stuff and we all know each other, and it's just not that way at all to me. ~ David Lynch,
191:Don’t fight the darkness. Don’t even worry about the darkness. Turn on the light and the darkness goes. Turn up that light of pure consciousness: Negativity goes. ~ David Lynch,
192:Freedom. It's like no constraints, an opening, and then barriers going away and lifting and breaking and experimentation and...it's like attempting for something. ~ David Lynch,
193:I always say Philadelphia, Pennsylvania is my biggest influence. But for painters, I like many, many painters, but I love Francis Bacon the most, and Edward Hopper. ~ David Lynch,
194:Sugar does make people happy, but then you fall off the edge after a few minutes, so I've really pretty much cut it out of my diet. Except for cupcakes. I like those. ~ David Lynch,
195:To me, a story can be both concrete and abstract, or a concrete story can hold abstractions. And abstractions are things that really can't be said so well with words. ~ David Lynch,
196:I think that ideas exist outside of ourselves. I think somewhere, we're all connected off in some very abstract land. But somewhere between there and here ideas exist. ~ David Lynch,
197:One change of attitude would change everything. If everyone realized that it could be a beautiful world and said, 'let's not do these things anymore - let's have fun.' ~ David Lynch,
198:Death in my mind isn't a finality. There's a continuum: It's like at night, you go to sleep and in the daytime you wake up, or whenever you wake up, and it's a new day. ~ David Lynch,
199:If I had a type, I guess you could say I liked brunettes the best, and I kind of liked librarian types, you know, their outer appearance hiding smoldering heat inside…. ~ David Lynch,
200:My mother refused to give me coloring books as a child. She probably saved me, Because when you think about it, what a coloring book does is completely kill creativity. ~ David Lynch,
201:It’s maybe impossible to escape (your own head), but I guess the secret is the prison cell just gets bigger and bigger and bigger and prettier and prettier and prettier. ~ David Lynch,
202:The human being is like a light bulb. If a human being is super stressed, depressed and filled with negativity, this is what that human being radiates out into the world. ~ David Lynch,
203:A film is its own thing and in an ideal world I think a film should be discovered knowing nothing and nothing should be added to it and nothing should be subtracted from it. ~ David Lynch,
204:I just hope that I get a chance to keep making pictures in the atmosphere of freedom to make mistakes, and to find those magical things. Then I don't care what else happens. ~ David Lynch,
205:Intuition is knowingness, and this field of unbounded knowing, of knowingness, is within every human being. You start tapping into that and it becomes an ocean of solutions. ~ David Lynch,
206:I love music, of course, and many, many, many genres. There are hardly any songs I would say that I hate. There's a couple, and I don't even know exactly why I don't like them. ~ David Lynch,
207:The ocean of solutions is within, enliven that. It's a world of clues, a world of mystery but the mystery can get solved, you can find a lot of answers for these things within. ~ David Lynch,
208:There's a safety in thinking in a diner. You can have your coffee or your milkshake, and you can go off into strange dark areas, and always come back to the safety of the diner. ~ David Lynch,
209:I like things that go into hidden, mysterious places, places I want to explore that are very disturbing. In that disturbing thing, there is sometimes tremendous poetry and truth. ~ David Lynch,
210:Sometimes I get ideas for lyrics in anyplace, but I work a lot in the studio. So I collect little bits of lyrics. I go through the box of lyrics I have and see if something fits. ~ David Lynch,
211:There’s a safety in thinking in a diner. You can have your coffee or your milk shake, and you can go off into strange dark areas, and always come back to the safety of the diner. ~ David Lynch,
212:Angelo Badalamenti brought me into the world of music and that's really what gave me permission to get into it even though I'm not a musician. It's just an intuitive thing for me. ~ David Lynch,
213:There is this unbounded, infinite, eternal, level, ocean, within every human being. Inner happiness comes with consciousness, bliss, intelligence comes with it. Creativity, love. ~ David Lynch,
214:Desire for an idea is like bait. When you're fishing, you have to have patience. You bait your hook, and then you wait. The desire is the bait that pulls those fish in-those ideas. ~ David Lynch,
215:We want to generate the electricity of peace through music, and it’s a thrill to know that the super-creative, enthusiastic musicians of our world are with us to achieve this goal. ~ David Lynch,
216:All my movies are about strange worlds that you can't go into unless you build them and film them. That's what's so important about film to me. I just like going into strange worlds. ~ David Lynch,
217:I grew up in Colorado - went back there, tried to heal myself and grow and learn, then got a call that David Lynch wanted me to fly back to Seattle so he could meet me for Twin Peaks. ~ Sheryl Lee,
218:He whose happiness is within, whose contentment is within, whose light is all within, that yogi, being one with Brahman, attains eternal freedom in divine consciousness. BHAGAVAD-GITA ~ David Lynch,
219:My first introduction to television, and really just the business in general, was working with David Lynch, with his incredibly open, creative mind that was not following any rules. ~ Madchen Amick,
220:Inside, we are ageless and when we talk to ourselves, it’s the same age of the person we were talking to when we were little. It’s the body that is changing around that ageless center. ~ David Lynch,
221:Secrets and mysteries provide a beautiful corridor where you can float out. The corridor expands and many, many wonderful things can happen... I love the process of going into mystery. ~ David Lynch,
222:I've seen so many cases where lives have been transformed for the good and heard so many stories about this. The technique of Transcendental Meditation really works for the human being. ~ David Lynch,
223:You've got to let accidents and strange things happen - let it work, so it's got an organic sort of quality ... By trying to remove yourself you can see some fantastic things sometimes. ~ David Lynch,
224:Inside, we are ageless...and when we talk to ourselves, it's the same age of the person we were talking to when we were little. It's the body that is changing around that ageless center. ~ David Lynch,
225:It's a simple thing he [Frank Daniel] taught me. If you want to make a feature film, you get ideas for 70 scenes. Put them on 3-by-5 cards. As soon as you have 70, you have a feature film. ~ David Lynch,
226:Been trying the soapy water and instant coffee method. Works somewhat, but boy it tastes terrible. I don't know how you guys can stand it. I'm going back to milk and espresso for my cappas. ~ David Lynch,
227:Happy accidents are real gifts, and they can open the door to a future that didn't even exist. It's kind of nice sometimes to set up something to encourage or allow happy accidents to happen. ~ David Lynch,
228:I love Christmas tree bulbs, and I started putting them in my paintings. You've got to plug this painting in, and it's got a rig in the back, so that each one can be replaced if it burns out. ~ David Lynch,
229:I love the French. They’re the biggest film buffs and protectors of cinema in the world. They really look out for the filmmaker and the rights of the filmmaker, and they believe in final cut. ~ David Lynch,
230:The first time I lay actual eyes on the real David Lynch on the set of his movie, he's peeing on a tree...Mr. David Lynch, a prodigious coffee drinker, apparently pees hard and often. ~ David Foster Wallace,
231:It's important that a film is loud and I hope many people agree. You should be inside of a film when you go into a theater. It should surround you, envelope you, so you can live inside a dream. ~ David Lynch,
232:Someday, hopefully very soon, 'diving within' as a preparation for learning and as a tool for developing the creative potential of the mind will be a standard part of every school’s curriculum. ~ David Lynch,
233:The technology can change, but storytelling remains the same. It's just a digital world now instead of an analog world, but now the storytelling's the same. You got different tools. That's all. ~ David Lynch,
234:I thought when I started meditation that I was going to get real calm and peaceful and it's going to be over. It's not that way; it's so energetic. That's where all the energy and creativity is. ~ David Lynch,
235:When I was little in Spokane, Washington I drew all the time... and my father would bring paper home... and I mostly drew browning automatic water-cooled sub-machine guns... that was my favorite. ~ David Lynch,
236:Well, I've been blessed with good hair, or at least some people think it is. It is the way it is, sort of does what it wants to. So, yeah, I guess it is [a metaphor for your views on art and life]. ~ David Lynch,
237:In Lynch’s realm, America is like a river that flows ever forward, carrying odds and ends from one decade into the next, where they intermingle and blur the dividing lines we’ve invented to mark time. ~ David Lynch,
238:During the course of a day, some dark feeling comes, maybe some sadness comes, some thrill, some great happiness, some strange humor. Cinema can embrace all that in one story, just as the story of life. ~ David Lynch,
239:Anger, stress, tension, depression, sorrow, hate, fear - these things start to retreat. And for a filmmaker, having this negativity lift away is money in the bank. When you're suffering you can't create. ~ David Lynch,
240:We're all like detectives. We want to figure things out. Life, you know, we want to figure out life, and we want to figure out what's going on, so it's beautiful. It's beautiful that people are thinking. ~ David Lynch,
241:I saw David Lynch’s “The Elephant Man” (1980) when I was 15. I was completely bowled over. I found it so beautiful, strange and mesmerizing that I went back to the cinema every night for a week to see it. ~ Ben Daniels,
242:The artist doesn't have to suffer to show suffering. Have it on the screen but have the people come out of the theater into a world of peace, of a beautiful world. They don't have to suffer in their lives. ~ David Lynch,
243:When you get an idea and you fall in love with it there's not a whole lot of choice. You're going down a street and you meet this girl and you know it doesn't have to make any sense. Bingo! You're in love. ~ David Lynch,
244:Music as background to me becomes like a mosquito, an insect. In the studio we have big speakers, and to me that's the way music should be listened to. When I listen to music, I want to just listen to music. ~ David Lynch,
245:I'm not a real film buff. Unfortunately, I don't have time. I just don't go. And I become very nervous when I go to a film because I worry so much about the director and it is hard for me to digest my popcorn. ~ David Lynch,
246:I don't think that people accept the fact that life doesn't make sense. I think it makes people terribly uncomfortable. It seems like religion and myth were invented against that, trying to make sense out of it. ~ David Lynch,
247:You get all the puzzle parts together enough to say the puzzle is complete. It's a script. In the process of realizing that, new ideas can come, one way or another. Through a happy accident, they just come to you. ~ David Lynch,
248:Consciousness-based education, which I am helping to promote, is basically the same education that good schools are giving today with Transcendental Meditation added for the students, teachers, staff, and principal. ~ David Lynch,
249:I think that commercials can really ruin a song. You know that the person sold the song for a good deal of money, and that was the tradeoff. But, music and picture can marry in a beautiful way, and the reverse also. ~ David Lynch,
250:Unfortunately, my ideas are not what you'd call commercial, and money really drives the boat these days. So I don't know what my future is. I don't have a clue what I'm going to be able to do in the world of cinema. ~ David Lynch,
251:Transcendental Meditation is a mental technique, so you travel to this field through subtler levels of mind, and then subtler levels of intellect, and then, at the border of intellect, you transcend and experience it. ~ David Lynch,
252:David Lynch came out of it a genius, and I came out of it a fat girl. I'm sorry that the only comment I get about the part is the way I look. Commenting on the critics' response to her performance in Blue Velvet ~ Isabella Rossellini,
253:I have smoked marijuana, but I no longer do. I went to art school in the 1960s so you can imagine what was going on. Yet my friends were the ones who said, "No, no, no, David, don't take those drugs." I was pretty lucky. ~ David Lynch,
254:A lot of painters listen to music, I think, while they paint. But I hate to do that. It's a horror. I can't really listen to the music. I'm not really concentrating on it, and I'm not really concentrating on the painting. ~ David Lynch,
255:Every single person has within an ocean of pure vibrant consciousness. Every single human being can experience that - infinite intelligence, infinite creativity, infinite happiness, infinite energy, infinite dynamic peace. ~ David Lynch,
256:A lot of music doesn't do one thing or another. It just doesn't do anything. Then there are those pieces of music that thrill your soul. It's such a wide range, and it's really interesting that we all love different things. ~ David Lynch,
257:You could say that spirituality is bliss, and bliss is physical happiness, emotional happiness, mental happiness, and spiritual happiness. And it's intense. It's an intense happiness. It brings you together with everything. ~ David Lynch,
258:I started Transcendental Meditation in 1973 and have not missed a single meditation ever since. Twice a day, every day. It has given me effortless access to unlimited reserves of energy, creativity and happiness deep within. ~ David Lynch,
259:Absurdity is what I like most in life, and there's humor in struggling in ignorance. If you saw a man repeatedly running into a wall until he was a bloody pulp, after a while it would make you laugh because it becomes absurd. ~ David Lynch,
260:I didn't watch much TV as a kid and I don' t watch it now. I don' t find anything beautiful or unique to the medium, and the only thing you can do on TV that you can't do in film is make a continuing story - which is so cool! ~ David Lynch,
261:I don't like the word ironic. I like the word absurdity, and I don't really understand the word 'irony' too much. The irony comes when you try to verbalize the absurd. When irony happens without words, it's much more exalted. ~ David Lynch,
262:I love paint. I like watercolours. I like acrylic paint... a little bit. I like house paint. I like oil-based paint, and I love oil paint. I love the smell of turpentine and I like that world of oil paint very, very, very much. ~ David Lynch,
263:The interesting thing that happens for many people when they first start meditating is that they'll be doing it for a few months, and they will begin to change, but the experience is so subtle that they're not even aware of it. ~ David Lynch,
264:You get a painting idea, and you go do that. You get a cinema idea, and you go in to do that. The difference is, even though the paintings might take some time to make, with cinema you are booked for a year and a half, minimum. ~ David Lynch,
265:But if you know that you’ve got to be somewhere in half an hour, there’s no way you can achieve that. So the art life means a freedom to have time for the good things to happen. There’s not always a lot of time for other things. ~ David Lynch,
266:I was creative before I started meditating, but I had, looking back, a weakness. I wasn't self-assured. I had a little bit of melancholy. I had a lot of anger for my situations in life, and I would take this out on my first wife. ~ David Lynch,
267:See, a painting is much cheaper than making a film. And photography is, you know, way cheap. So if I get an idea for a film, there are many ways to get it together and go realise that film. There's really nothing to be afraid of. ~ David Lynch,
268:Domestic violence and violence against women in general seems to be a big problem everywhere in the world. It seems to me this problem comes from stress, pent up anger, frustration, and all kinds of negativity within human beings. ~ David Lynch,
269:I feel like each time I do something I want it to be more and more recognizable that it's me so, by the time I do a film, my films will be as recognizable as someone like David Lynch or someone who's got their own thing going on. ~ Chris Cunningham,
270:I think part of the reason ideas haven't come in is that the world of cinema is changing so drastically, and in a weird way, feature films I think have become cheap. Everything is kind of throwaway. It's experienced and then forgotten. ~ David Lynch,
271:Music deals with time and timing. It's so magical, but when you get into it, every little sound and every little space between the sounds, it's critical, so critical. And if it's not there, it not only feels wrong, but it ruins things. ~ David Lynch,
272:I look at the world and I see absurdity all around me. People do strange things constantly, to the point that, for the most part, we manage not to see it. That's why I love coffee shops and public places - I mean, they're all out there. ~ David Lynch,
273:Life is filled with abstractions, and the only way we make heads or tails of it is through intuition. Intuition is seeing the solution—seeing it, knowing it. It’s emotion and intellect going together. That’s essential for the filmmaker. ~ David Lynch,
274:Meditation is not a selfish thing. Even though you're diving in and experiencing the Self, you're not closing yourself off from the world. You're strengthening yourself, so that you can be more effective when you go back into the world. ~ David Lynch,
275:It makes me uncomfortable to talk about meanings and things. It's better not to know so much about what things mean. Because the meaning, it's a very personal thing, and the meaning for me is different than the meaning for somebody else. ~ David Lynch,
276:I don't turn my nose up at anything. If it's a great part, it's a great part. It's not like, "I don't make studio films; I work for David Lynch and maybe a few American Playhouse directors, but that's it" - I'd love to do a box-office hit. ~ Laura Dern,
277:Man is evolving...but it's difficult to see his progress with a Western perception of time. The Hindus think of time in much larger segments. They watch the hour hand of the clock while we in the West are preoccupied with the second hand. ~ David Lynch,
278:Many of the things I see in the world seem very beautiful, but it’s still hard for me to figure out how things can be the way they are, and I guess that’s one of the reasons why my movies tend to be open to many different interpretations. ~ David Lynch,
279:I'm obsessed with textures. We're surrounded by so much vinyl that I find myself constantly in pursuit of other textures. One time I removed all the hair from a mouse with Nair-Hair just to see what it looked like. And it looked beautiful. ~ David Lynch,
280:Somewhere in talking and rehearsing, there is a magical moment where actors catch a current, they're on the right road. If they really catch it, then whatever they do from then on is correct and it all comes out of them from that point on. ~ David Lynch,
281:David Lynch is very important to me, and he does dreamlike movies, but my dreams are not like David Lynch's dreams. I have no interest in copying anybody's work. It would never occur to me to want this to look like someone else's thing. ~ Charlie Kaufman,
282:David Lynch was actually the one who first inspired me to become a filmmaker when I was in high school. His films just took me to that dream place that lifts you out of the norm, out of the everyday life, and that is kind of what allured me. ~ Paul Dalio,
283:In film, life-and-death struggles make you sit up, lean forward a little bit. They amplify things happening, in smaller ways, in all of us. These things show up in relationships. They show up in struggles and bring them to a critical point. ~ David Lynch,
284:In the world there's a thing called collective consciousness. All of us billions of human beings together create that collective consciousness. With all the problems in our world, you can see that the collective consciousness is not so high. ~ David Lynch,
285:When you do something that works you have a happiness, but I don't know if it's a feeling of power. Power is a frightening thing and that's not what I'm interested in. I want to do certain things and make them right in my mind and that's it. ~ David Lynch,
286:But if you can expand that consciousness, make it grow, then when you read about that book, you'll have more understanding; when you look out, more awareness; when you wake up, more wakefulness; as you go about your day, more inner happiness. ~ David Lynch,
287:I'd never done nudity in a movie; I've never sort of condoned it for myself, but David Lynch wanted it, and I was completely comfortable with it because that love story was so protected. There's never a moment where you feel anything is exploited. ~ Laura Dern,
288:Meditation is to dive all the way within, beyond thought, to the source of thought and pure consciousness. It enlarges the container, every time you transcend. When you come out, you come out refreshed, filled with energy and enthusiasm for life. ~ David Lynch,
289:I felt I should have been the happiest person in the world. But I looked inside, and that happiness was only on the surface, not so deep. Beneath it was hollow. Up until that time, I had been thinking meditation was a joke, a fad and a waste of time. ~ David Lynch,
290:Everyone is on the internet but they're not all talking with each other. There are groups upon groups out there, but they don't talk to one another. So while the internet brings everyone into a shared space, it does not necessarily bring them together. ~ David Lynch,
291:Within your own self is a treasury, an ocean of pure bliss, consciousness, intelligence, creativity, love, happiness, energy, and peace… within every human being. Experience that and you will begin to know yourself, which is unbounded, eternal totality ~ David Lynch,
292:You need contrast and conflict in order to tell a story. Stories need to have dark and light, turmoil, all those things. But that does not mean the filmmaker has to suffer in order to show the suffering. Stories should have the suffering, not the people. ~ David Lynch,
293:Intuition is the key to everything, in painting, filmmaking, business - everything. I think you could have an intellectual ability, but if you can sharpen your intuition, which they say is emotion and intellect joining together, then a knowingness occurs. ~ David Lynch,
294:Every single thing in the world that was made by anyone started with an idea. So to catch one that is powerful enough to fall in love with, it is one of the most beautiful experiences. It's like being jolted with electricity and knowledge at the same time. ~ David Lynch,
295:I don't really follow television so much, but in the old days there was a certain way TV was, and it wasn't really like cinema. I don't know how many ways it was different or the same, but it was not quite like cinema. Now, cinema can happen on television. ~ David Lynch,
296:I like to make films because I like to go into another world. I like to get lost in another world. And film to me is a magical medium that makes you dream... allows you to dream in the dark. It's just a fantastic thing, to get lost inside the world of film. ~ David Lynch,
297:My movies are film-paintings - moving portraits captured on celluloid. I'll layer that with sound to create a unique mood -- like if the Mona Lisa opened her mouth, and there would be a wind, and she'd turn back and smile. It would be strange and beautiful. ~ David Lynch,
298:I love two-lane highways. They say something about the way things used to be, and about areas that don't have a lot of people. On those two-lanes at night you get the sense of moving into the unknown, and that's as thrilling a sense as human beings can have. ~ David Lynch,
299:When you see an aging or a rusted bridge, you are seeing nature and man working together. If you paint over a building there is no more magic to that building. But if it is allowed to age, then man has built it and nature has added into it — it’s so organic. ~ David Lynch,
300:As a kid, I was always building things. My father had a shop in the house, and we built things - we were kind of a project family. I started out as a painter, and then painting led to cinema, and in cinema, you get to build so many things, or help build them. ~ David Lynch,
301:Ideas are like fish. If you want to catch little fish, you can stay in the shallow water. But if you want to catch the big fish, you’ve got to go deeper. Down deep, the fish are more powerful and more pure.They’re huge and abstract. And they’re very beautiful. ~ David Lynch,
302:I didn't know anything about film when I first started - I was a painter - but I [always] felt that sound was just as important as the picture. The sound, picture, and ideas have to marry. If an idea carries with it a mood, sound is critical to making that mood. ~ David Lynch,
303:In Hollywood, more often than not, they're making more kind of traditional films, stories that are understood by people. And the entire story is understood. And they become worried if even for one small moment something happens that is not understood by everyone. ~ David Lynch,
304:I really like dating stories, like in Betty and Veronica comics; I like David Lynch and H.P. Lovecraft for the dark gut-wrenching stuff, and I'm inspired by Miyazaki's films for the subtle heart-warming moments, as well as the moments that blew up my imagination. ~ Fred Seibert,
305:I have been 'diving within' through the Transcendental Meditation technique for over 30 years. It has changed my life, my world. I am not alone. Millions of other people of all ages, religions, and walks of life practice the technique and enjoy incredible benefits. ~ David Lynch,
306:This is a donut. It is very sweet, and very good. But if you've never tasted a donut, you wouldn't really know how sweet and how good a donut is... meditation is like that. Transcendental Meditation gives an experience much sweeter than the sweetness of this donut. ~ David Lynch,
307:The nervous system functions in a fourth, unique way, as different as dreaming is from sleeping as sleeping is from waking. When you transcend, it's the only experience that lights the full brain on an EEG machine. It's the only experience that utilizes the full brain. ~ David Lynch,
308:A poet could write volumes about diners, because they're so beautiful. They're brightly lit, with chrome and booths and Naugahyde and great waitresses. Now, it might not be so great in the health department, but I think diner food is really worth experiencing periodically. ~ David Lynch,
309:Negativity is the enemy of creativity. For instance if you're filled with depression, you can hardly even get out of bed, let alone feel like creating something. If you are filled with bitter, selfish anger, this occupies the mind and leaves little room for creative ideas. ~ David Lynch,
310:Consciousness-Based Education is just plugging us all into the beautiful, eternal field within, and then watching things get better, which is what happens. It's a field of infinite, unbounded peace within every human being, and when you experience it, you enliven that peace. ~ David Lynch,
311:You know whatdogs are like in a room? They really look like they're having fun. They're bouncing this ball around and chewing on stuff and they're kind of panting and happy. Human beings are supposed to be like that. We should be pretty happy. And I don't know why we aren't. ~ David Lynch,
312:Because you make a world that didn't exist before, and you can go into that world deeper and deeper. It's unbounded out there. One film takes you into one area, another film takes you into another area. There could be trillions, zillions of worlds that exist in the big space. ~ David Lynch,
313:I have a profound admiration for Fellini. I met him lately and he's just fantastic. I feel very close to him even though he's very Italian. But his films could have been made in every country. When I say, I feel close to him, then also because we're both born on January 20th. ~ David Lynch,
314:You know what dogs are like in a room? They really look like they're having fun. They're bouncing this ball around and chewing on stuff and they're kind of panting and happy. Human beings are supposed to be like that. We should be pretty happy. And I don't know why we aren't. ~ David Lynch,
315:Transcendental Meditation is not a religion, it's not against any religion, it's for human beings, no matter what color, what religion, what walk of life. If you're a human being, it will work for you. And you will be very glad you found this technique and took advantage of it. ~ David Lynch,
316:Stories always have held conflicts and contrasts, highs and lows, life and death situations. And there can be much suffering in stories, but now we say the artist doesn’t have to suffer to show suffering. You just have to understand the human condition, understand the suffering. ~ David Lynch,
317:The worst thing about this modern world is that people think you get killed on television with zero pain and zero blood. It must enter into kids' heads that it's not very messy to kill somebody, and it doesn't hurt that much. That's a real sickness to me. That's a real sick thing. ~ David Lynch,
318:If we didn't want to upset anyone, we would make films about sewing, but even that could be dangerous. But I think finally, in a film, it is how the balance is and the feelings are. But I think there has to be those contrasts and strong things within a film for the total experience. ~ David Lynch,
319:I'll do anything to keep everyone laughing. Things get too intense on film sets. I remember on The Elephant Man, I used to imitate a cat without moving my lips. David Lynch would say, "Cut! Sorry, we've got a noise somewhere on set." Everyone would be looking around for this cat. ~ Anthony Hopkins,
320:We all have at least two sides. The world we live in is a world of opposites. And the trick is to reconcile those opposing things. I've always liked both sides. In order to appreciate one you have to know the other. The more darkness you can gather up, the more light you can see too. ~ David Lynch,
321:In today’s world of fear and uncertainty, every child should have one class period a day to dive within himself and experience the field of silence - bliss - the enormous reservoir of energy and intelligence that is deep within all of us. This is the way to save the coming generation. ~ David Lynch,
322:We all have at least two sides. The world we live in is a world of opposites. And the trick is to reconcile those opposing things. I've always liked both sides. In order to appreciate one, you have to know the other. The more darkness you can gather up, the more light you can see too. ~ David Lynch,
323:The feature film has changed a lot. Art houses are gone and people show a certain type of cinema in the big theaters now that, you know, it's not quite really good for me, and if I made a feature film, I was think I'd play in LA and New York for a week, and then go right to television. ~ David Lynch,
324:I long for a kind of quiet where I can just drift and dream. I always say getting inspiration is like fishing. If you're quiet and sitting there and you have the right bait, you're going to catch a fish eventually. Ideas are sort of like that. You never know when they're going to hit you. ~ David Lynch,
325:I like people who, you know, as you go along in life, you know, a thing happens, and people become a seeker. They look for something to give them the path to their full potential. I like them to know about transcendental mediation, but they've got to make up their own mind to take it and use it. ~ David Lynch,
326:They were made up names in Dune that I didn't know how to pronounce, but I knew how I should sound because I was a sci-fi fan myself. I hadn't read the book, but I knew that I was the princess of the universe. I went in and sort of made her up, and David Lynch thought it matched and cast me. ~ Virginia Madsen,
327:Nick Сage and I can't make love in movie? That's scary. And our hero? Arnold Schwarzenegger? Using a body as a shield against bullets? Hey - the world's a big place, and people get away with what they get away with, but to attack David Lynch for doing things I've seen in many movies, that's weird. ~ Laura Dern,
328:You don't dive for specific solutions; you dive to enliven that ocean of consciousness. Then your intuition grows and you have a way of solving those problems-knowing when it's not quite right and knowing a way to make it feel correct for you. That capacity grows and things go much more smoothly. ~ David Lynch,
329:So much of what happened to me is good fortune. But I would say: Try to get a job that gives you some time; get your sleep and a little bit of food; and work as much as you can. There's so much enjoyment in doing what you love. Maybe this will open doors, and you'll find a way to do what you love. ~ David Lynch,
330:Sex was like a world so mysterious to me, I really couldn't believe there was this fantastic texture to life that I was getting to do...it has all these different levels, from lust and fearful, violent sex to the real spiritual thing at the other end. It's the key to some fantastic mystery of life. ~ David Lynch,
331:Every human being has consciousness, but not every human being has the same amount. The potential for each one of us human beings is infinite consciousness. This is called supreme enlightenment, and it just needs unfolding by transcending each day. The more consciousness we have, the better life is. ~ David Lynch,
332:I'm lost in a transition. The old is dead, and I don't know what the new is. The only way to find the new is to start different things and see if there's something that can come out of experimentation. It's somewhat unsettling, but it's a hopeful thing in a way. I've been here before, lots of times. ~ David Lynch,
333:Nowadays, people shoot digitally and it's all in color, but you press a button and it all goes to black and white. But it's not lit for black and white. So, it's a tricky thing. If you're going do black and white, you better remember to separate things with light, because color ain't gonna be there. ~ David Lynch,
334:If a human being is filled with happiness and positivity, this is what they radiate out into the world. We each affect our environment and that collective consciousness. The more people who are diving within and transcending and are getting that happiness and positivity, the better the world will be. ~ David Lynch,
335:Transcendental meditation is an ancient mental technique that allows any human being to dive within, transcend and experience the source of everything. It's such a blessing for the human being because that eternal field is a field of unbounded intelligence, creativity, happiness, love, energy and peace. ~ David Lynch,
336:I learned that just beneath the surface there's another world, and still different worlds as you dig deeper. I knew it as a kid, but I couldn't find the proof. It was just a kind of feeling. There is goodness in blue skies and flowers, but another force--a wild pain and decay--also accompanies everything. ~ David Lynch,
337:The beautiful thing is that when you catch one fish that you love, even if it’s a little fish—a fragment of an idea—that fish will draw in other fish, and they’ll hook onto it. Then you’re on your way. Soon there are more and more and more fragments, and the whole thing emerges. But it starts with desire. ~ David Lynch,
338:When you're down, when you've been kicked down in the street and then kicked a few more times until you're bleeding and your teeth are out, then you only have up to go. You get reborn again, and expectations aren't so great because they've taken you away. It's beautiful to be down there. It's so beautiful! ~ David Lynch,
339:I learned that just beneath the surface there's another world, and still different worlds as you dig deeper. I knew it as a kid, but I couldn't find the proof. It was just a kind of feeling. There is goodness in blue skies and flowers, but another force - a wild pain and decay - also accompanies everything. ~ David Lynch,
340:Intuition is the key to everything, in painting, filmmaking, business - everything. I think you could have an intellectual ability, but if you can sharpen your intuition, which they say is emotion and intellect joining together, then a knowingness occurs. Feeling correct is a feeling I think everyone knows. ~ David Lynch,
341:Script is not finished until it's finished. There's many times, partway through a film, when an idea comes, and I say, "How beautiful this is. This thing was not complete and look what's happened, look what's come along." And it just came along at what might be called a strange time rather than a normal time. ~ David Lynch,
342:In my mind it's so much fun to have something that has clues and is mysterious - something that is understood intuitively rather than just being spoon-fed to you. That's the beauty of cinema, and it's hardly ever even tried. These days, most films are pretty easily understood, and so people's minds stop working. ~ David Lynch,
343:I was doing something that had become a pattern in my life, and I thought, Well I should go talk to a psychiatrist. When I got into the room, I asked him, 'Do you think that this process could, in any way, damage my creativity?', And he said ´Well, David, I have to be honest; it could´ And I shook his hand and left. ~ David Lynch,
344:In my case what happened is that within about two weeks of beginning meditation, the anger already started to go away. My wife came to me and said, "What's going on?" and I said, "What are you talking about?" To which she replied, "This anger, where did it go?" I didn't even realize that my anger had been going away. ~ David Lynch,
345:I quit smoking in December. I’m really depressed about it. I love smoking, I love fire, I miss lighting cigarettes. I like the whole thing about it, to me it turns into the artist’s life, and now people like Bloomberg have made animals out of smokers, and they think that if they stop smoking everyone will live forever. ~ David Lynch,
346:Sleep is really important. You need to rest the physiology to be able to work weel and meditate well. When I don't get enough sleep, my meditations are duller. You may even dip into sleep at the beginning of your meditation, because you're settling down. But if you're well rested, you'll have a clearer deeper experience. ~ David Lynch,
347:The business side of film has goofed up so many things, but even that's changing. It happened to the music industry and now it's happening to the film studios. It's crazy what's going on. But artists should have control of their work; especially if, as I always say, you never turn down a good idea and never take a bad idea. ~ David Lynch,
348:As collective consciousness goes higher and higher, all the differences in the world will be appreciated more and more. A definition of peace is unity in the midst of diversity. Or you could say happiness, love, and peace in the midst of all diversity. All the differences would be appreciated fully in the light of this peace. ~ David Lynch,
349:Stories have tangents; they open up and become different things. You can still have a structure, but you should leave room to dream. If you stay true to your ideas, filmmaking becomes an inside-out, honest kind of process. And if it's an honest thing for you, there's a chance that people will feel that, even if it's abstract. ~ David Lynch,
350:I'm not a political person. I don't understand politics, I don't understand the concept of two sides and I think that probably there's good on both sides, bad on both sides, and there's a middle ground, but it never seems to come to the middle ground and it's very frustrating watching it and seemingly we're not moving forward. ~ David Lynch,
351:There's so many problems in our world, so much negativity. Don't worry about the darkness - turn on the light and the darkness automatically goes. Ramp up the light of unity within - help do that for yourself, help do that for the world and then we're really doing something, we're doing something that brings that light of unity. ~ David Lynch,
352:I'm not any different than anybody else. But I do see a world, for me, that's getting better and better, not worse and worse. And I believe that world peace is coming quicker than we think. And I believe that people are not only yearning for it but will see a way to get it and help that way to come sooner. And it's going to be beautiful. ~ David Lynch,
353:Instead of instilling fear, if a company offered a way for everyone in the business to dive within-to start expanding energy and intelligence-people would work overtime for free. They would be far more creative. And the company would just leap forward. This is the way it can be. It's not the way it is, but it could be that way so easily. ~ David Lynch,
354:Some people grew up in the '70s, powerful, beautiful memories of the '70s which to me is one of the worst decades. It has something to do with that. Has something to with the birth of rock 'n' roll, and something to do with those American cars. an incredible design. There was so much optimism at that time and it must leak into the process. ~ David Lynch,
355:Transcending gives a human being a chance to think before acting. And experiencing this beautiful treasury within gets rid of torment and replaces it with happiness, inner peace, creativity intelligence, love, energy. This fuels a real good life and fuels an appreciation for all human beings. It's so powerful and it's a blessing for humanity. ~ David Lynch,
356:A lot of musicians like to do the bass and the drums with analog and get that tape distortion that's really beautiful. As far as the digital world goes - it's all going to end up there anyway, but when you hear vinyl it does a different thing to you. Nowadays, people do CDs and then vinyl so it's everything goes; it's a such a beautiful world. ~ David Lynch,
357:I don't necessarily love rotting bodies, but there's a texture to a rotting body that is unbelievable. Have you ever seen a little rotted animal? I love looking at those things, just as much as I like to look at a close-up of some tree bark, or a small bug, or a cup of coffee, or a piece of pie. You get in close and the textures are wonderful. ~ David Lynch,
358:Lately I feel films are more and more like music. Music deals with abstractions and, like film, it involves time. It has many different movements, it has much contrast. And through music you learn that, in order to get a particular beautiful feeling, you have to have started far back, arranging certain things in a certain way. You can't just cut to it. ~ David Lynch,
359:All we really need is this technique of Transcendental Meditation, which allows any human being to easily and effortlessly transcend. When you get this technique of Transcendental Meditation, stay regular in your meditation twice a day and you will begin to rapidly unfold your full potential as a human being and see life get better and better and better. ~ David Lynch,
360:People say my films are dark. But like lightness, darkness stems from a reflection of the world. The thing is, I get these ideas that I truly fall in love with. And a good movie idea is often like a girl you're in love with, but you know she's not the kind of girl you bring home to your parents, because they sometimes hold some dark and troubling things. ~ David Lynch,
361:I just tend to admire people who go for what they believe in, like David Lynch for example, and just say what goes through their heads, and are not afraid of people not accepting them. I have no respect for people who deliberately try to be weird to attract attention, but if that's who you honestly are, you shouldn't try to "normalize yourself". It's a fine line. ~ Alicia Witt,
362:My favourite film-maker west of the English Channel is not English - but to me doesn't seem American either - David Lynch - a curious American-European film-maker. He has - against odds - achieved what we want to achieve here. He takes great risks with a strong personal voice and adequate funds and space to exercise it. I thought Blue Velvet was a masterpiece. ~ Peter Greenaway,
363:I hate slick and pretty things. I prefer mistakes and accidents. Which is why I like things like cuts and bruises - they're like little flowers. I've always said that if you have a name for something, like 'cut' or 'bruise,' people will automatically be disturbed by it. But when you see the same thing in nature, and you don't know what it is, it can be very beautiful. ~ David Lynch,
364:It's better not to know so much about what things mean or how they might be interpreted or you'll be too afraid to let things keep happening. Psychology destroys the mystery, this kind of magic quality. It can be reduced to certain neuroses or certain things, and since it is now named and defined, it's lost its mystery and the potential for a vast, infinite experience. ~ David Lynch,
365:When you get an idea, so many things come in that one moment. You could write the sound of that idea, or the sound of the room it's in. You could write the clothes the character is wearing, what they're saying, how they move, what they look like. Instead of making up, you're actually catching an idea, for a story, characters, place, and mood - all the stuff that comes. ~ David Lynch,
366:Baik, kalau begitu pinjami aku Blue Velvet?
Blue Velvet?
Iya, masa kamu tidak tahu, sutradaranya David Lynch
Oh, Black Velvet maksudnya Tuan?
Blue Velvet
Apa sih Blue?
Wah, guru SD-mu siapa? Blue ya biru dong!
Apa sih biru itu, Tuan?
Din, kamu mabuk?
Saya kira Tuan yang mabuk, dari dulu juga Tuan tahu judul karya David Lynch itu Black Velvet ~ Seno Gumira Ajidarma,
367:I'm convinced we all are voyeurs. It's part of the detective thing. We want to know secrets and we want to know what goes on behind those windows. And not in a way that we would use to hurt anyone. There's an entertainment value to it, but at the same time we want to know: What do humans do? Do they do the same things as I do? It's a gaining of some sort of knowledge, I think. ~ David Lynch,
368:Right here people might bring up Vincent van Gogh as an example of a painter who did great work in spite of—or because of—his suffering. I like to think that van Gogh would have been even more prolific and even greater if he wasn’t so restricted by the things tormenting him. I don’t think it was pain that made him so great—I think his painting brought him whatever happiness he had. ~ David Lynch,
369:Sex is a doorway to something so powerful and mystical, but movies usually depict it in a completely flat way. Being explicit doesn't tap into the mystical aspect of it either in fact, that usually kills it because people don't want to see sex so much as they want to experience the emotions that go along with it. These things are hard to convey in film because sex is such a mystery. ~ David Lynch,
370:When we transcend we are diving into a field of unbounded creativity. This is real creativity and when we experience that and grow in that, we can more easily find solutions to problems. We can get ideas for whatever it is we're working on. And we will get happier by transcending every day and we will find that we're happier doing almost anything. We'll get more energy to do our work. ~ David Lynch,
371:When you make your first film, it's really hard in some ways. You're just nowhere. But then you have something. If you have a success, then you might be looking to take a fall. If you had a fall, you get a certain kind of euphoria because you're not dead, so you can still do it again. It's about how you go through the processes. Do you enjoy that "doing"? Is it getting less fun or more fun? ~ David Lynch,
372:Ideas are floating like fish. Desire for an idea is like a bait on a hook. If you desire an idea, it pulls and it makes a kind of a bait. Ideas will come swimming up. And you don't know them until they enter the conscious mind. And then bingo! There it is! You know it instantly. And then more come in. If you go fishing for ideas, a lot of ideas will just pop in. And one of them will make you fall in love. ~ David Lynch,
373:I love child things because there's so much mystery when you're a child. When you're a child, something as simple as a tree doesn't make sense. You see it in the distance and it looks small, but as you go closer, it seems to grow - you haven't got a handle on the rules when you're a child. We think we understand the rules when we become adults but what we really experienced is a narrowing of the imagination. ~ David Lynch,
374:I'm not comfortable with words. I love images ,and I love sounds, and I love feelings. I like the idea of intuition. I think a lot of things in life are understood that way. But you internalize these things; they don't really pop out. Certain things are built inside - little areas of understanding. I feel that I live in darkness and confusion, and I'm trying, like we all are, to make some sort of sense of it. ~ David Lynch,
375:If the people in a relationship were able to get rid of this torment within and replace it with happiness, love, and a sense of well-being, they would never think to hurt another human being. They would be filled with an understanding of others and an appreciation of others and have an ability to reconcile differences without any violence whatsoever, to reconcile differences in a very loving way, a very happy way. ~ David Lynch,
376:Transcendental meditation is like a car, a vehicle that allows you to go within. It's a mental technique. You're given a mantra - the mantra that Maharishi gives is very specific, and you start to dive into subtler levels of mind, subtler levels of intellect. You transcend the whole show, into pure bliss consciousness. From your first meditation, you say, "Whoa!" It's a unique experience, but a familiar experience. ~ David Lynch,
377:Life holds many, many, many mysteries, abstract things we all think about. In a film when things get abstract, some people don't appreciate that and they want to leave the theater. Others love to dream, get lost, try to figure things out. I'm one of those people. I like a film, a story that holds concrete things but also abstractions. So when ideas come along that have those things, I'm falling in love and going to work. ~ David Lynch,
378:Tied to consciousness are all positive qualities, so that ocean within is an ocean of unbounded intelligence, unbounded creativity, unbounded happiness, unbounded love, unbounded energy, and unbounded peace. And when students start expanding consciousness in those positive qualities, their relationships improve, their grades go up, their happiness goes up, the fighting and bullying stops, and things get very, very, very good. ~ David Lynch,
379:Forget being the best of anything. That's the fruit of the action, and you do the work -they say- for the doing, not the fruit. You can never really know how it's gonna turn out in the world but you know if you enjoy doing it. And ideas start flowing and you start getting, you know, excited about stuff. Then you're having a great time in the doing and that's what it's all about. If you don't enjoy the doing, then do something else. ~ David Lynch,
380:My childhood was elegant homes, tree lined streets, the milkman, building backyard forts, droning airplanes, blue skies, picket fences, green grass, cherry trees. Middle America as it’s supposed to be. But on the cherry tree there’s this pitch oozing out – some black, some yellow – and millions of red ants crawling all over it. I discovered that if one looks a little closer at this beautiful world, there are always red ants underneath. ~ David Lynch,
381:Directors who have inspired me include Billy Wilder, Federico Fellini, lngmar Bergman, John Ford, Orson Welles, Werner Herzog, Stanley Kubrick, Alfred Hitchcock, Francis Ford Coppola and Ernst Lubitsch. In art school, I studied painters like Edward Hopper, who used urban motifs, Franz Kafka is my favorite novelist. My approach to film stems from my art background, as I go beyond the story to the sub-conscious mood created by sound and images. ~ David Lynch,
382:Yes, Philadelphia is horrible, but in a very interesting way. There were places there that had been allowed to decay, where there was so much fear and crime that just for a moment there was an opening to another world. It was fear, but it was so strong, and so magical, like a magnet, that your imagination was always sparking in PhiladelphiaI just have to think of Philadelphia now, and I get ideas, I hear the wind, and I'm off into the darkness somewhere. ~ David Lynch,
383:We've always said we're a HEAVY METAL band. We've kinda branched out here and there - we've done a rap thing, we've done a rap-rock thing, we've done something with Angelo Belmonte, who's the primary composer of Twin Peaks. In fact, most of David Lynch's movies is Angelo. He did something with us and that was great. We've also acted, we've done an episode in Married with Children, which was awesome - so we're always looking to do things which you wouldn't expect. ~ Charlie Benante,
384:Never turn down a good idea, but never take a bad idea. And meditate. It’s very important to experience that Self, that pure consciousness. It’s really helped me. I think it would help any filmmaker. So start diving within, enlivening that bliss consciousness. Grow in happiness and intuition. Experience the joy of doing. And you’ll glow in this peaceful way. Your friends will be very, very happy with you. Everyone will want to sit next to you. And people will give you money! ~ David Lynch,
385:They say that negative things like stress, anxiety, tension, sorrow, and depression "squeeze the tube" so ideas don't flow through it. But if you get rid of that negativity, which goes away naturally when you transcend every day, these ideas are more freely flowing, and you get happy in the doing. You get fresh and inspiring ideas, and a bigger picture starts to emerge of the world and life. It's very good for the artist, businessman, fisherman, and any kind of person really. ~ David Lynch,
386:Cast as Lucy Moran, the eccentric secretary at the Twin Peaks Sheriff’s Department, Kimmy Robertson recalled the shooting of the pilot as “heaven. It was pure fun, and there were silly things with David that were magical to me. If I asked him nicely, he let me run my fingers through his hair. The hair that grows on top of that head and what’s inside that head—you can feel that in his hair. David’s hair does something and it has a function and the function has to do with God.”17 ~ David Lynch,
387:I wouldn't know what to do with [colour]. Colour to me is too real. It's limiting. It doesn't allow too much of a dream. The more you throw black into a colour, the more dreamy it gets… Black has depth. It's like a little egress; you can go into it, and because it keeps on continuing to be dark, the mind kicks in, and a lot of things that are going on in there become manifest. And you start seeing what you're afraid of. You start seeing what you love, and it becomes like a dream. ~ David Lynch,
388:Desire for an idea is like bait. When you're fishing, you have to have patience. You bait your hook, and then you wait.The desire is the bait that pulls those fish in—those ideas. The beautiful thing is that when you catch one fish that you love, even if it's a little fish—a fragment of an idea—that fish will draw in other fish, and they'll hook onto it. Then you're on your way. Soon there are more and more and more fragments, and the whole thing emerges. But it starts with desire. ~ David Lynch,
389:I love mysteries. To fall into a mystery and its danger ... everything becomes so intense in those moments. When most mysteries are solved, I feel tremendously let down. So I want things to feel solved up to a point, but there's got to be a certain percentage left over to keep the dream going. It's like at the end of Chinatown: The guy says, 'Forget it, Jake, it's Chinatown.' You understand it, but you don't understand it, and it keeps that mystery alive. That's the most beautiful thing. ~ David Lynch,
390:These growth hormones, where can I get a bunch of them? Is there some way that, with electricity, you could stimulate your own growth hormones? Plug yourself in for five minutes, there'd be a little jolt, but you'd get used to it. It wouldn't be bad at all; in fact, you'd get to enjoy it, probably. Then away you'd go, and youth wouldn't be wasted on the young anymore. You'd be 25, with a 95-year-old mind. Granddad would start breaking into liquor stores and staying out late. Hope we have it soon! ~ David Lynch,
391:I was very scared when I saw it, because Dune was for me very important in my life. I was very sad I could not do it. When I saw that David Lynch would do it, I was very scared, because I admire him as a movie-maker, and I thought he would do well. But when I see the picture, I realize he never understood this picture. It's not a David Lynch picture. It's the producer who made that picture, no? Who made this horror. For David Lynch, it was a job. A commercial job. It never was that for me. ~ Alejandro Jodorowsky,
392:I sort of do what I say and say what I do which I'm happy with because it makes my life real easy. When I was younger, people would say that I was inspired by David Lynch, so I went and watched his stuff and I was surprised. I thought it was smart, with what I was trying to do lyrically. So I started watching some of his stuff. I've never seen his movies in [their] entirety, I'm more interested in him as a person and how he came to be successful taking an alternative route, sort of a subculture icon. ~ Lana Del Rey,
393:Being in darkness and confusion is interesting to me. But behind it you can rise out of that and see things the way the really are. That there is some sort of truth to the whole thing, if you could just get to that point where you could see it, and live it, and feel it. I think it is a long, long, way off. In the meantime there’s suffering and darkness and confusion and absurdities, and it’s people kind of going in circles. It’s fantastic. It’s like a strange carnival: it’s a lot of fun, but it’s a lot of pain. ~ David Lynch,
394:Being in darkness and confusion is interesting to me. But behind it you can rise out of that and see things the way the really are. That there is some sort of truth to the whole thing, if you could just get to that point where you could see it, and live it, and feel it … I think it is a long, long, way off. In the meantime there’s suffering and darkness and confusion and absurdities, and it’s people kind of going in circles. It’s fantastic. It’s like a strange carnival: it’s a lot of fun, but it’s a lot of pain. ~ David Lynch,
395:They say the full potential of the human being is called enlightenment, which is infinite consciousness, infinite happiness, zero negativity, zero dying, complete freedom, total fulfillment, and being at one with everything. You can say it's God realization, or you can say you sit at the feet of the Lord as master of all you survey. You could say it's totality, total knowledge, and that you are that totality. This is every human being's birthright: to one day enjoy supreme enlightenment, unity. It's like the big graduation. ~ David Lynch,
396:The side effect of expanding consciousness is that negativity starts to evaporate; it goes away like darkness when you turn on a light. Many students have so much torment, stress, depression, sorrow and hate in them these days, but then they get this technique and the negativity starts to go away. They start to feel good because the torment is leaving. Their health gets better and they get happier, their comprehension and their ability to focus grow, their grades go up and a joy for life grows; all of which comes from within. ~ David Lynch,
397:If you have a golf-ball-sized consciousness, when you read a book, you'll have a golf-ball-sized understanding; when you look out a window, a golf-ball-sized awareness, when you wake up in the morning, a golf-ball-sized wakefulness; and as you go about your day, a golf-ball-sized inner happiness. But if you can expand that consciousness, make it grow, then when you read about that book, you'll have more understanding; when you look out, more awareness; when you wake up, more wakefulness; as you go about your day, more inner happiness. ~ David Lynch,
398:I like the saying: "The world is as you are." And I think films are as you are. That's why, although the frames of a film are always the same - the same number, in the same sequence, with the same sounds - every screening is different. The difference is sometimes subtle but it's there. It depends on the audience. There is a circle that goes from the audience to the film and back. Each person is looking and thinking and feeling and coming up with his or her own sense of things. And it's probably different from what I fell in love with. ~ David Lynch,
399:Consciousness-Based Education is education that is in most ways exactly like regular education, but with the added technique of Transcendental Meditation. Transcendental Meditation, or TM as it's often referred to, allows students to dive in and experience the unbounded ocean of consciousness within each of us, the big treasury, the field within each of us that is the base of all matter and all mind. It's been found that transcending and experiencing that unbounded, eternal level of life does wonders for education, and for human beings. ~ David Lynch,
400:When you get an idea, so many things come in that one moment. You could write the sound of that idea, or the sound of the room it's in. You could write the clothes the character is wearing, what they're saying, how they move, what they look like. Instead of making up, you're actually catching an idea, for a story, characters, place, and mood - all the stuff that comes. When you put a sound to something and it's wrong, it's so obvious. When it's right, the whole is greater than the sum of the parts. That's a magical thing that can happen in cinema. ~ David Lynch,
401:I need not remind you that this was David Lynch's version of Dune, in which all of the characters were sexy and deformed at the same time. There was a character called the 3rd Stage Guild Navigator, which was a kind of giant floating fetus creature, that lived in a giant tank, with his orange mist of psychedelic spice swirling around him allowing him to bend space and time. He could never leave the tank or interact with the outside world. He had become, in his isolation, so deformed and so sexy that he had to talk through a kind of old-timey radio to the outside world and could never touch them. ~ John Hodgman,
402:The card for the Santa Teresa cybercafé was a deep red, so red that it was hard to read what was printed on it. On the back, in a lighter red, was a map that showed exactly where the café was located. He asked the receptionist to translate the name of the place. The clerk laughed and said it was called Fire, Walk With Me. “It sounds like the title of a David Lynch film,” said Fate. The clerk shrugged and said that all of Mexico was a collage of diverse and wide-ranging homages. “Every single thing in this country is an homage to everything in the world, even the things that haven’t happened yet,” he said. ~ Roberto Bola o,
403:This idea comes to you, you can see it, but to accomplish it you need what I call a "setup." For example, you may need a working shop or a working painting studio. You may beed a working music studio. Or a computer room where you can write something. It's crucial to have a setup, so that, at any given moment, when you get an idea, you have the place and the tools to make it happen. If you don't have a setup, there are many times when you get the inspiration, the idea, but you have no tools, no place to put it together. And the idea just sits there and festers. Overtime, it will go away. You didn't filfill it--and that's just a heartache. ~ David Lynch,
404:We all want expanded consciousness and bliss. It's a natural, human desire. And a lot of people look for it in drugs. But the problem is that the body, the physiology, takes a hard hit on drugs. Drugs injure the nervous system, so they just make it harder to get those experiences on your own.
I have smoked marijuana, but I no longer do. I went to art school in the 1960s, so you an imagine what was going on. Yet my friends were the ones who said, "No, no, no, David, don't you take those drugs." I was pretty lucky.
Besides, far more profound experiences are available naturally. When your consciousness stars expanding, those experiences are there. All those things can be seen. It's just a matter of expanding that ball of consciousness. And the ball of consciousness can expand to be infinite and unbounded. It's totality. You can have totality. So all those experiences are there for you, without the side effects of drugs. ~ David Lynch,
405:Inside every human being is an ocean of pure, vibrant consciousness. When you “transcend” in Transcendental Meditation, you dive down into that ocean of pure consciousness. You splash into it. And it’s bliss. You can vibrate with this bliss. Experiencing pure consciousness enlivens it, expands it. It starts to unfold and grow. If you have a golf-ball-sized consciousness, when you read a book, you’ll have a golf-ball-sized understanding; when you look out a window, a golf-ball-sized awareness; when you wake up in the morning, a golf-ball-sized wakefulness; and as you go about your day, a golf-ball-sized inner happiness. But if you can expand that consciousness, make it grow, then when you read that book, you’ll have more understanding; when you look out, more awareness; when you wake up, more wakefulness; and as you go about your day, more inner happiness. You can catch ideas at a deeper level. And creativity really flows. It makes life more like a fantastic game. ~ David Lynch,
406:Cinema is a language. It can say things—big, abstract things. And I love that about it. I’m not always good with words. Some people are poets and have a beautiful way of saying things with words. But cinema is its own language. And with it you can say so many things, because you’ve got time and sequences. You’ve got dialogue. You’ve got music. You’ve got sound effects. You have so many tools. And you can express a feeling and a thought that can’t be conveyed any other way. Its a magical medium. For me, it’s so beautiful to think about these pictures and sounds flowing together in time and in sequence, making something that can be done only through cinema. Its not just words or music-it’s a whole range of elements coming together and making something that didn’t exist before. It’s telling stories. It’s devising a world, an experience, that people cannot have unless they see that film. When I catch an idea for a film, I fall in love with the way cinema can express it. I like a story that holds abstractions, and that’s what cinema can do. ~ David Lynch,
407:Cinema is a language. It can say things—big, abstract things. And I love that about it. I’m not always good with words. Some people are poets and have a beautiful way of saying things with words. But cinema is its own language. And with it you can say so many things, because you’ve got time and sequences. You’ve got dialogue. You’ve got music. You’ve got sound effects. You have so many tools. And you can express a feeling and a thought that can’t be conveyed any other way. It's a magical medium. For me, it’s so beautiful to think about these pictures and sounds flowing together in time and in sequence, making something that can be done only through cinema. It's not just words or music—it’s a whole range of elements coming together and making something that didn’t exist before. It’s telling stories. It’s devising a world, an experience, that people cannot have unless they see that film. When I catch an idea for a film, I fall in love with the way cinema can express it. I like a story that holds abstractions, and that’s what cinema can do. ~ David Lynch,
408:The idea tells you everything. Lots of times I get ideas, I fall in love with them. Those ones you fall in love with are really special ideas. And, in some ways, I always say, when something's abstract, the abstractions are hard to put into words unless you're a poet. These ideas you somehow know. And cinema is a language that can say abstractions. I love stories, but I love stories that hold abstractions--that can hold abstractions. And cinema can say these difficult-to-say-in-words things. A lot of times, I don't know the meaning of the idea, and it drives me crazy. I think we should know the meaning of the idea. I think about them, and I tell this story about my first feature Eraserhead. I did not know what these things meant to me--really meant. And on that particular film, I started reading the Bible. And I'm reading the Bible, going along, and suddenly--there was a sentence. And I said, forget it! That's it. That's this thing. And so, I should know the meaning for me, but when things get abstract, it does me no good to say what it is. All viewers on the surface are all different. And we see something, and that's another place where intuition kicks in: an inner-knowingness. And so, you see a thing, you think about it, and you feel it, and you go and you sort of know something inside. And you can rely on that. Another thing I say is, if you go--after a film, withholding abstractions--to a coffee place--having coffee with your friends, someone will say something, and immediately you'll say “No, no, no, no, that's not what that was about.” You know? “This is what it was about.” And so many things come out, it's surprising. So you do know. For yourself. And what you know is valid. ~ David Lynch,
409:There is no requirement for those affected by an idea to be aware of any of this, of course. When the writer and media critic Philip Sandifer writes that "David Whitaker, at once the most important figure in Doctor Who's development and the least understood, created a show that is genuinely magical and this influence cannot be erased from within the show," he does not mean that any of the hundreds of actors and writers who went on to work on the programme saw it in those terms. Or as Sandifer so clearly puts it, "I don't actually believe that the writers of Doctor Who were consciously designing a sentient metafiction to continually disrupt the social order through a systematic process of détournement. Except maybe David Whitaker." From Drummond and Cauty's perspective, the story of Doctor Who is irrelevant. All that was happening was that they were exploring their mental landscape, and they were fulfilling their duty as artists by doing so more deeply than normal people. This is a landscape with many unseen, unknown areas where who-knows-what might be found. The KLF explored further than most and, if we were to accept Moore's model, it would perhaps not be surprising that a fiction as complex as Doctor Who could encounter them in Ideaspace and, being at its lowest point and in dire need of help, use them for its own ends. For Moore, and other artists such as David Lynch who use similar models, the role of the artist is like that of a fisherman. It is their job to fish in the collective unconscious and use all their skill to best present their catch to an audience. Drummond and Cauty, on the other hand, appear to have been caught by the fish. Lacking any clear sense of what they were doing, they dived in as deeply as Moore and Lynch. They did not have a specific purpose for doing so. They just needed to make something happen - anything really, such is the path of chaos. "It was supposed to be a proper dance record, but we couldn't fit the four-four beat to it, so we ended up with the glitter beat, which was never really our intention but we had to go with it," Cauty has said. "It was like an out of control lorry, you know, you're just trying to steer it, and that track took itself over really, and did what it wanted to do. We were just watching." This lack of intention is significant, from a magical point of view. One of the most important aspects of magical practice is the will. Aleister Crowley defined magic as being changes in the world brought about by the exercise of the will, hence his maxim 'Do what thou Will shall be the whole of the Law.' The will or intention of a magical act is important because the magician opens himself up to all sorts of strange powers and influences and he must avoid being controlled by them. Drummond and Cauty were not exerting any control on the process, and so they made themselves vulnerable to the who-knows-whats that live out of sight in the depths of Ideaspace. For this reason, you could understand why Moore would think that Bill Drummond was “totally mad." All this only applies if you're prepared to accept the notion of magic, of course. ~ J M R Higgs,

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Wikipedia - Blue Velvet (film) -- 1986 film directed by David Lynch
Wikipedia - Catching the Big Fish -- Book by David Lynch
Wikipedia - David Lynch filmography -- filmography
Wikipedia - David Lynch
Wikipedia - Dune (1984 film) -- 1984 American epic science fiction film written and directed by David Lynch
Wikipedia - Eraserhead -- 1977 film by David Lynch
Wikipedia - Hotel Room -- 1993 American television film directed by James Signorelli David Lynch
Wikipedia - Idem Paris -- 2013 film by David Lynch
Wikipedia - In Heaven -- Song composed by Peter Ivers and David Lynch and performed by Peter Ivers
Wikipedia - List of frequent David Lynch collaborators -- Filmmaking collaborations
Wikipedia - Lynch on Lynch -- Book of interviews with David Lynch
Wikipedia - Mulholland Drive (film) -- 2001 film by David Lynch
Wikipedia - Thought Gang -- 2018 album by Angelo Badalamenti and David Lynch
Wikipedia - Wild at Heart (film) -- 1990 film by David Lynch
David Lynch ::: Born: January 20, 1946; Occupation: Film director;
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Twin Peaks (1990 - 1991) - From the strange mind of director David Lynch came Twin Peaks, a murder mystery with his signature surreal and deranged twists detailing FBI Special Agent Dale Cooper's (Kyle MacLachlan) search for the killer of high school homecoming queen Laura Palmer (Sheryl Lee) in the quirky town of Twin Peaks....
The Bobby Vinton Show (1975 - 1978) - Successful half-hour variety show that aired in the 70s. Hit song "Roses are Red (My Love) spent three weeks at No.1 on the Billboard Hot 100. Arguably his most famous song is 1963's "Blue Velvet" that also went to No.1. 23 years later, when David Lynch named his movie Blue Velvet after this song. I...
Eraser Head(1977) - Director David Lynch's feature-film debut is a masterpiece of the macabre and grotesque. Reportedly a reaction to the news that he was about to become a father, Lynch's ERASERHEAD follows a sensitive young man as he struggles to cope with impending parenthood. Henry Spencer (Jack Nance) lives in a h...
Wild at Heart(1990) - Nicolas Cage and Laura Dern play a pair of lovers on the run in David Lynch's surrealist road movie Wild at Heart. Cage's Sailor Ripley is a violent ex-convict with an Elvis Presley fixation who falls in love with Dern's Lula Pace Fortune, the daughter of a rich, but mentally unstable, Southern bell...
Perdita Durango(1997) - The title character of this Alex de la Iglesia film made her first appearance in David Lynch's Wild at Heart (1990) and was originally played by Isabella Rossellini. Rosie Perez takes over the role in this blend of black comedy, graphic sex and violence, voodoo and weirdness. Perdita Durango is pure...
Lost Highway(1997) - Director David Lynch gives us a psycho thriller beyond definition that has audiences tangled in the provocations of nightmares, violence, sex sequences, reality, the subconscious, and madness as they must create their own interpretations of the film.
Blue Velvet (1986) ::: 7.7/10 -- R | 2h | Drama, Mystery, Thriller | 23 October 1986 (Italy) -- The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child. Director: David Lynch Writer:
Dune (1984) ::: 6.5/10 -- PG-13 | 2h 17min | Action, Adventure, Sci-Fi | 14 December 1984 (USA) -- A Duke's son leads desert warriors against the galactic emperor and his father's evil nemesis when they assassinate his father and free their desert world from the emperor's rule. Director: David Lynch Writers:
Eraserhead (1977) ::: 7.4/10 -- Not Rated | 1h 29min | Fantasy, Horror | 3 February 1978 (USA) -- Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child. Director: David Lynch Writer: David Lynch
Inland Empire (2006) ::: 6.9/10 -- R | 3h | Drama, Fantasy, Mystery | 7 February 2007 (France) -- As an actress begins to adopt the persona of her character in a film, her world becomes nightmarish and surreal. Director: David Lynch Writer: David Lynch
Lost Highway (1997) ::: 7.6/10 -- R | 2h 14min | Mystery, Thriller | 27 February 1997 (Canada) -- Anonymous videotapes presage a musician's murder conviction, and a gangster's girlfriend leads a mechanic astray. Director: David Lynch Writers: David Lynch, Barry Gifford
Meditation, Creativity, Peace (2012) ::: 6.8/10 -- 1h 11min | Documentary | 2012 (USA) -- This documentary is an exhilarating, inspiring round-up of questions and answers from David Lynch's European and Middle East tours of 2007-2009, when he visited 16 countries to meet film ... S Writer: David Lynch Star: David Lynch
Mulholland Dr. (1999) ::: 8.3/10 -- 1h 28min | Drama, Mystery, Thriller | TV Movie 1999 -- After a car wreck, an amnesiac woman sets out to learn what happened to her with the help of a wannabe actress. Director: David Lynch Writer: David Lynch Stars:
Mulholland Drive (2001) ::: 7.9/10 -- Mulholland Dr. (original title) -- Mulholland Drive Poster -- After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality. Director: David Lynch
The Elephant Man (1980) ::: 8.1/10 -- PG | 2h 4min | Biography, Drama | 10 October 1980 (USA) -- A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous faade, there is revealed a person of kindness, intelligence and sophistication. Director: David Lynch Writers:
The Straight Story (1999) ::: 8.0/10 -- G | 1h 52min | Biography, Drama | 5 November 1999 (Canada) -- An old man makes a long journey by lawnmower to mend his relationship with an ill brother. Director: David Lynch Writers: John Roach, Mary Sweeney Stars:
Twin Peaks: Fire Walk with Me (1992) ::: 7.3/10 -- R | 2h 14min | Drama, Horror, Mystery | 28 August 1992 (USA) -- Laura Palmer's harrowing final days are chronicled one year after the murder of Teresa Banks, a resident of Twin Peaks' neighboring town. Director: David Lynch Writers: David Lynch, Robert Engels | 2 more credits
Twin Peaks: The Missing Pieces (2014) ::: 7.7/10 -- 1h 31min | Drama, Horror, Mystery | 1 August 2014 (Brazil) -- Twin Peaks before Twin Peaks (1990) and at the same time not always and entirely in the same place as Twin Peaks: Fire Walk with Me (1992). A feature film which presents deleted scenes from Twin Peaks: Fire Walk with Me (1992) assembled together for the first time in an untold portion of the story's prequel. Director: David Lynch
Twin Peaks ::: TV-MA | 1h | Crime, Drama, Fantasy | TV Series (2017) -- Picks up 25 years after the inhabitants of a quaint northwestern town are stunned when their homecoming queen is murdered. Creators: Mark Frost, David Lynch
Twin Peaks ::: TV-MA | 47min | Crime, Drama, Mystery | TV Series (19901991) -- An idiosyncratic FBI agent investigates the murder of a young woman in the even more idiosyncratic town of Twin Peaks. Creators: Mark Frost, David Lynch
Wild at Heart (1990) ::: 7.2/10 -- R | 2h 5min | Comedy, Crime, Drama | 17 August 1990 (USA) -- Young lovers Sailor and Lula run from the variety of weirdos that Lula's mom has hired to kill Sailor. Director: David Lynch Writers: Barry Gifford (novel), David Lynch (screenplay)
https://twinpeaks.fandom.com/wiki/David_Lynch
Midori-ko -- -- - -- 1 ep -- Original -- Dementia Drama -- Midori-ko Midori-ko -- One of the must-see gems making its premiere at our festival, Midori-Ko is adored Japanese animator Kurosaka Keita's whimsically nightmarish vision of 21st-century Tokyo on the brink of apocalypse. Ten years in the making and entirely, single-handedly rendered in colored pencil, Kurosaka's fantastical labor of love is a marvel to behold. Emerging from the staggering detail and craft flooding every frame is the story of a young woman who sets out to engineer a dream-food that can put an end to the world's famine. Synthesizing Frederic Back's subtle, haptic textures with Bill Plympton's frenetic mutations and David Lynch's haunting wormholes, Kurosaka’s work still retains its own singular, luminous potency. -- -- (Source: Los Angeles Animation Festival summary) -- Movie - Sep 24, 2011 -- 2,792 6.07
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List of accolades received by David Lynch
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